Minimal Marram

Minimal Marram Sometimes a particular view or style can become an obsession. Perhaps it’s a range of tones, or maybe it’s a minimal point of view, or a particular point of view, or possibly it’s a combination of many things, perhaps not even consciously understood that all come together to produce the one thing that photographers want – a distinctive – something that is recognisably you.

For me the focus on marram, sea and sky has been impressed on me by the nature of the Sefton English coastline. The entire stretch of coast from Liverpool to Preston is straight, flat and featureless. In order to make an interesting shot certain attitudes have developed: a relentless compositional minimalism, removing even more features in order to produce a clean aesthetic; this minimalism extends to reducing the palette to simple blues and greens with a hint of muted yellows in the sand; a low point of view is probably a result of the compositional needs, but in itself produces a distinct viewpoint on the marram and sky of the Southport coast.

The result is simple, clean images with a muted palette of tones. These aren’t dynamic images in the sense that they produce an immediate ‘wow’, but they are the kind of restful, easy on the eye, hang on your wall and enjoy for years to come type of images, timeless in a sense – timeless in the way that the marramscapes of grass, sand, sea and sky will always be.

By Dune Prints

Vast swathes of marram grass, miles and miles of sand and an uninterrupted shoreline mark out the Southport coast. Peter Holloway has been photographing the Sefton coast from Southport in the north, to Formby in the south for many years.

Peter Holloway is an information technologist and photographer working in the North West of England.