We got to the pier just as the sun was setting. I’ve been aching to get a decent long exposure at sunset and tonight I was just in time to get a 134 second shot – enough to have the clouds nicely streaked across the sky 🙂
Taking a walk around Southport’s Marine Lake the other day I decided to try for a long exposure shot of the lake, pier and bridge. The intense sunlight made it almost impossible to see the image on the camera’s screen, but I could just make out enough to get a few shots. I was so intent on getting the exposure right that I didn’t notice the tram setting off. You can see the blurred movement of the tram along the pier in the centre of the shot.
Having taken a walk around the Marine Lake in Southport recently (and taken a few photographs) I was impressed by the refurbished Victorian shelters. I have to confess to quite liking the old colour, even when it was faded and peeling, but the new dark green colour scheme looks sophisticated and blends well with the gardens. Both these photos were taken recently – the right hand image is from the northern end of the lake that hasn’t yet been refurbished.
At certain times of the year, the sun sets directly behind the end of the Pier in Southport. Sometimes the sky is dramatic, often it can be cloudless and flat. Occasionally the colours are rich and warm (this shot did receive a little help in that direction in post processing).
Timing it right I caught the last gasp of sunlight before it sank below the pier railings. I hope you enjoy the shot!
It’s sometimes possible when editing photos on a computer to look too much at the histogram and not at the actual image. We can focus on highlights and blacks, and on getting a good spread of tones, which is all rather academic. What you really need to do is concentrate on the final image and how you see it. I loved the soft tones of the RAW image for this shot and decided to try and enhance the gentle tones and light…
Southport and Ainsdale beaches are vast, flat and featureless. As a photographer you have to latch onto any object of interest, even if it is a solitary shell in the middle of that vast, featureless expanse of sand. It’s a good job I like minimal photographs as the Sefton coast lends itself to this sort of shot!
Crosby’s Another Place installation can look quite harsh from up close. The metal bodies spread along the tide line are covered in barnacles and hard in profile and presence. In this shot I decided to single out one statue and soften what was already a fairly soft image. The resultant image is easier on the eye, more restful to look at.