The Mourne Mountains in Co. Down, Northern Ireland do indeed sweep down to the sea, just as the song rehearses, but for those who live to the north of them, they are invariably in shadow. The result is often just a looming darkness beyond Newcastle, but, on the right occasion the shadows lend something to the whole. On an unseasonably warm September day I found myself at Murlough Bay, watching the swimmers (yes!), and seeing the blue tinged Mournes beyond.
In these staycation days more and more holidaymakers are rediscovering the fun of the Great British Seaside resort. It’s true that many of these are a little shabby and down at heel in places, but they are also iconic features of the the British coast, and still have beautiful beaches and stunning views. Even the weather worn buildings lend a certain charm. I confess that I prefer cloudy skies to bright blue expanses – it just adds to the atmosphere (literally too).
This photo was taken when I had a few days in Weymouth, Dorset, on the South Coast of England. The beach was sandy and smooth, the bay was calm enough for pedalos, and there was coffee on the beach – what more could you ask for?
The town of Hastings, nestled between two hills on the South Coast of England is one of those archetypal British resorts. There’s the old town, with all its quirkiness, and the new town alongside, stretching the promenade all the way along the coast. The pier has been subject to a recent modernisation project, but from a distance looks just the same as many UK piers.
The beach huts are ubiquitous all along this coast. For most resorts the choice of paint is up to the individual, resulting in many colours, and much fading and flaking. When I saw this set of beach huts by Hastings Pier I loved the uniformity of colour as well as the freshness of the paint. They make a wonderful foreground contrast to the pier and the setting sun.
It’s sometimes possible when editing photos on a computer to look too much at the histogram and not at the actual image. We can focus on highlights and blacks, and on getting a good spread of tones, which is all rather academic. What you really need to do is concentrate on the final image and how you see it. I loved the soft tones of the RAW image for this shot and decided to try and enhance the gentle tones and light…
Southport and Ainsdale beaches are vast, flat and featureless. As a photographer you have to latch onto any object of interest, even if it is a solitary shell in the middle of that vast, featureless expanse of sand. It’s a good job I like minimal photographs as the Sefton coast lends itself to this sort of shot!